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Welcome back to another Disney Top 5. I hope all of you are staying safe and healthy out there.
I've always been an advocate of Walt Disney's credo, "Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world." I've certainly stood by that motto when it comes to changes both major and minor in the Disney parks. Over the years, I've definitely lamented some changes to Walt Disney World. I think I'm in the minority here but I felt pretty bad when Snow Whites Scary Adventures closed. It was hard to get more classic than that. Wishes was a big loss for everyone in this household, even though its replacement, Happily Ever After is pretty amazing. My daughter and I were sorry to see Maelstrom shut down and made sure to catch one of the final rides before it closed. My sons and I were there for the final illuminations this past fall and I know I'm going to miss that spectacular show no matter what they replace it with. And don't even get me started on Spectromagic going away for good. As Disney fans we do grow attached to our attractions, our restaurants, our characters and even small details in the parks that we find endearing. When they go away or are changed, it's almost personal. But if you believed in what Walt was trying to do with his parks than you have to accept the changes.
Typically, as I noted above, I like to give the Imagineers some credit and see what they come up with when they decide to retire attractions. For example, my daughter was borderline irate when The Great Movie Ride shut down. Personally, I'd seen it enough and was ready for what the Imagineers were billing as a 'game changing attraction" to take its place. I guess we'll see about that when I finally get to board Mickey and Minnie's Runaway Railway someday. My feelings have always been, "As long as the Imagineers are putting a great amount of thought, creativity and solid storytelling into what they're doing, then I'm ready to see what they come up with. " The results have usually been pretty good. Despite some heavy Frozen saturation just about everywhere in the Disney universe, I think they did a nice job with Anna and Elsa in Norway. I was fine with the the Three Caballeros being added to Mexico and Nemo taking over the Seas pavilion. I loved the original film in Soarin' and love the second version just as much. I can say the same thing about Test Track and I can't wait to someday ride the Guardians of the Galaxy coaster and had no problem bidding Ellen and Bill Nye farewell. And if you know me well enough, you'd know that I practically threw a party when I heard they were going to bulldoze Lights, Motors, Action, the Backlot and the Streets of America in order to build Galaxy's Edge. That was a win win on all accounts!
So the question is, "How am I feeling about Splash Mountain going away and being replaced with The Princess and the Frog?" Well, this one is not so clear cut for me. I'm a big Splash Mountain fan and the loss of one of Disney's signature attractions, not to mention a personal favorite hasn't been such an easy pill to swallow. My daughter? Big Princess and the Frog fan and she's waiting with unbridled excitement to see what the Imagineers come up with to replace Chickapin Hill. I actually haven't watched Princess and the Frog since I saw it in the theaters when it was released. I couldn't wait to see a return to 2D animation and loved what I saw and heard on the big screen that night, so I do have a great amount of hope that something wonderful could take place with the retheming of Splash Mountain. I plan on watching Princess and the Frog again this week to build up some excitement and start to get some visions of what they could do once Brer Rabbit and his animal friends move out.
Before I go forward lamenting its departure, let's address the elephant in the room when it comes to this Disney classic attraction. Prior to me sitting down to write this article, I sat myself down and rewatched Song of the South, a film that I haven't watched in years. And before you ask, yes I own a copy. I managed to get my hands on a PAL VHS tape from the United Kingdom probably around 15-20 years ago. In my other life as a TV production teacher, I had a PAL converter in my studio. For those of you who are unaware, back then when it came to videotapes, the world was broken up into regions. You couldn't watch a tape from Europe, which used the PAL format, here in the states and vice versa. Not unless you had a converter deck like we had in the studio. I had seen the film as a kid and it was really one of the only holes in my Disney library and when I stumbled upon a PAL copy, which would be useless to most people, I snatched it up to be a completist.
So, after watching it again the other evening, yes, I get it. It's got issues. No doubt about it. The stereotyped characters and dialogue are a bit unsettling to say the least. The setting isn't really conveyed clearly to the audience either. Is this during the time of slavery and I'm watching happy singing slaves? Or is it post Civil War and they are free, but yet still undeniably working for the rich white plantation owner? Turns out it's the latter, but a lot of people have thought it to be the former and, yes, if you think you're watching a group of African Americans singing happy songs while they are enslaved you would come away thinking how unlikely that scenario would have been and how pretty despicable of an interpretation that was. So, there's definitely some misunderstanding with Song of the South and how it presents itself. There's also the point of view that writer Joel Chandler, who was white, took these African American folktales and went and made money with them. Was he enchanted with these charming tales and published them in homage so they could be read for generations? Or was he capitalizing on them? That's an age old argument for sure. Should I throw away my Elvis and Rolling Stones albums because they took everything from black music and made it there own or were they devoted fans paying homage to the music they loved the most?
The sad part about all of this is that the underlying story of Song of the South is that of a wealthy young white boy who comes to stay at the plantation while his parents seem to be separating and how he finds solace and happiness in the stories of an old, Black storyteller named Uncle Remus. They are an unlikely pair, especially when you consider this film was made in 1946. The friendship and bonds that develop and the fact that these two polar opposites essentially save each other in the end is undeniably not a racist storyline. In fact their relationship in the film is the complete opposite with little Johnny referring to Uncle Remus as his best friend in the whole world.
So, it's a shame that Song of the South is viewed by some as a racist film. My personal opinion is, no, it's not a racist film. Is it a flawed film and a product of an unenlightened time? Yes, for sure. From a filmmaking point of view, the blend of live action and animation is groundbreaking. The songs are wonderful and it features performances by Hattie McDaniel, who was the first African American actor to win an Oscar for her role in another troubled yet legendary film, Gone With the Wind, and James Baskett as Uncle Remus in a role that won him an honorary Oscar as well. There are definitely troubling aspects to the film. I'd be a fool to deny that. Should it be swept under the carpet and locked in a fault? In my personal opinion, the answer to that question is, "No." It should be watched, discussed and learned from rather than cast aside.
As far as the ride is concerned, in this writer's opinion, on the surface it's pretty harmless. Once again, the underlying story seems to be getting lost in the hoopla. The Imagineers chose to tell the story of Brer Rabbit from the film's animated sequences. The young rabbit yearns to leave his home behind, gets chased and nearly eaten by the villains, Brer Bear and Brer Fox, and then outsmarts them and decides that his home is a pretty wonderful place and therefore he'll stay much to the delight of all of his animal neighbors. There's wisely no reference to Uncle Remus, the plantation nor any of the human characters from the film. The ride itself is a wonderful collection of animatronic animals, scenery, music and mayhem culminating in the famous drop over the falls. It's beautifully done, full of rich details throughout and aesthetically speaking, it may be one of the best things that Disney has ever done. Which of those details will I miss? Let's take a look at my Top 5 things I'm going to miss about Splash Mountain.
5 - The Opossums
Yeah. This is a strange choice, but I have to say, out of all of the animatronic characters from the ride, I've always loved these opossums hanging from the tree deep inside the ride. Once again, it's a Disney park fan thing. My daughter loves the dog wagging his tongue in the Polynesia room of it's a small world and I love these silly little creatures over in Splash Mountain.
My hope is that this trio of marsupials are snuck into the Princess and the Frog scenes in the new ride as one of the Imagineers little homages to the past attraction. If not, if they somehow ever got auctioned off - which I can't imagine would happen - well then my wife should be prepared for them to be hanging from the ceiling in our family room!
4 - The Secondary Characters
One of the things I've always liked about walking through the queue is seeing some of the other Brer animals that you'll eventually see throughout the ride. You can find Brer Frog and Brer Goose in the line right before you approach the flume boarding area. Then in the ride, there's plenty more like Brer Porky Pine, Brer Tortoise, Mr. Bluebird and even Brer Roadrunner. By the way, I'm pretty sure there are no roadrunners in the bayou but I've always been willing to overlook that.
The elusive Brer Roadrunner may soon go the way of the dodo. ©Disney
These secondary characters are almost certain to be put into storage and never seen again and that's a shame. I hope a few make the transition into the background somewhere. The frogs should be easy enough to keep around with Tiana and Naveen. Perhaps some of the others can be moved over to Walt Disney Presents in the Studios or maybe they can do something with them over at Port Orleans Riverside or in some other attraction somewhere, especially considering the fact that a lot of them were from America Sings in Disneyland.
3 - The Zip A Dee Lady
For those of you that don't obsess over the details in Walt Disney World attractions, the Zip a Dee Lady is the name of the riverboat that comes into view as you reenter Splash Mountain after the big drop down the falls. It's always been one of my favorite "reveals" in a Disney park. Just when you thought you were at the end of a very long attraction, the Imagineers conclude the story with a big finish.
The big reveal near the end of Splash Mountain featuring a dozen or so singing animatronics. ©Disney
The boat is loaded with singing animals welcoming Brer Rabbit back home as they sing the award winning song, Zip-a-Dee-Doo-Dah. It's a fun moment and one that has always personified just how far the Imagineers always go to add details and drive home the storyline. They didn't have to add this room. The big ending could have been the drop and then you disembark, but they threw this giant room in and it's the perfect ending to the ride. I'm hoping they can keep the riverboat. It could easily fit in to the storyline and locations of Princess and the Frog.
2 - The Music
One thing you can't deny is that the music in Splash Mountain is catchy and it gets into your head. Case in point, I took a break from writing this to help get dinner ready and I was whistling "How Do You Do" the entire time. Couldn't get it out of my head. We went out for a walk afterwards as a family and my daughter said, "Now you've got me singing that Splash Mountain song!" Couple that song with "Everybody's Got a Laughing Place" and "Zip-A-Dee-Doo-Dah" and it's hard to walk out of that ride not singing something.
I'm even a big fan of the banjo and harmonica instrumental music you hear during your time in the queue. It sets the mood perfectly and I'll miss hearing those songs on my future visits to Walt Disney World for sure.
1 - The Brers
Here's the thing. I like the three main characters, Brer Bear, Brer Fox and Brer Rabbit quite a bit. I have memories of them from my childhood when I just enjoyed them as what they were, a rabbit, a fox and a bear, not some controversial characters from a troubled film. What did I know? I know my own children have Brer Rabbit plush toys, little figurines we bought in the parks and that toy log flume vehicle that they used to play with. So, when Splash Mountain goes away, will these three classic characters go with it? After all, as I said above, I'm quite sure that the vast majority of guests know them from the attraction, not from the film. So, if the film is essentially gone and then the attraction is officially gone, what's to become of these three characters?
Will they still be walking around during the parades or will they just fade away? Should they just fade away? Are they relics from a different age that will no longer have a place in the modern day Disney experience? I hope not. Actually, I'd like to see them come back maybe in an animated short form somehow. These characters have a history in African American folktales. Maybe something can be done with them now that honors that heritage. At any rate, I'm glad that I finally got to take a photo with Brer Rabbit at the Magic Kingdom this fall. I was chasing that meet and greet for years and finally spotted him walking through Frontierland during the Halloween party and snapped this photo.
It might have been the last chance I got to take a photo with one of my favorite childhood characters. And let's remember, he was a favorite character of mine because he was just a silly rabbit who outsmarted the dopey bullies who were chasing him. That's why I loved him. Not because of his association with an outdated and problematic movie.
The question then becomes, should Splash Mountain really go away because of its association with the film? That's a tougher question than I'm actually ready to completely tackle in this piece. I'd venture to guess that more than 95% of the guests going over the falls have never seen, nor probably ever will see the original film. I'd actually go a step further and say that most guests don't even know of the existence of Song of the South at all. Some people would say that that's the problem. The argument can be made that the popularity of the attraction kind of ignores the fact that it is derived from a controversial film that Disney doesn't even want to be seen by the public so why have a headlining attraction based on that film? That's a pretty solid argument. A friend of mine weighed in saying that he's never seen the film, just about nobody knows the film, so why not turn it into something that the modern audience can connect to, like Princess and the Frog? That's a pretty simplistic view, but it's also hard to argue with the logic.
The questions are all moot though, because Splash Mountain is going away. The bones of the ride and the famous drop will all still be there. It'll still be a headliner. Only now, it'll pay homage to a newer film, one that this generation knows and loves and it's an important film at that. Tiana, Naveen and Louis are moving in. Bre Rabbit, Brer Bear and Brer Fox are moving out. Walt's credo is being followed. Change is inevitable. I'm looking forward to seeing what the Imagineers bring us. I'm expecting a wonderful soundtrack, some beautiful scenery and I'm fully expecting to be dazzled by a room full of fireflies! With any luck, I'll get one last ride on Splash Mountain someday, but if not, it gave me plenty of smiles and thrills over the years. Change is good. Evolution is good. It's up to Disney's Imagineers now to dazzle us with an awesome Princess and the Frog attraction to make me feel OK about losing Brer Rabbit. I've got faith in them. Dare I say, despite missing the above things from Splash Mountain, I'm pretty sure that everything will tun out to be...satisfactual!
That's my take on Splash Mountain going away. As always I'd like to hear what you have to say. Click on the link below, share your thoughts and whether or not you'll miss anything from Chickapin Hill and I'll see you next time with another Disney Top 5.
Comments
Nice article and I like your optimism. I generally agree with your sentiments about Song of the South as luckily I’ve seen the movie multiple times. I loved James Baskett as Uncle Remus and its shame people will be unable to see his wonderful performance.
On to Splash Mountain. My apologies on my negativity but venting is necessary for me. I hate this change and my hope is somehow its get canceled. I liked Princess and the Frog but not enough to replace Splash. Splash is my favorite attraction of all time since it opened because of the happy music, the animatronic critters, details of the physical sets and the queue, and the Brer characters. I have little to no faith in the PatF redo. Since the 1990s, with exception of Soarin replacing Food Rocks, it seems when Disney replaces an existing attraction, the newer attraction is worse than the original. Since the likelihood Disney is taking a big hit financially with COVID19, replacing Splash Mountain is a major waste of money and the funds are better spent on the plenty of other projects or much needed refurbishments. I also hope Tokyo leaves Splash Mountain alone because I will be taking my tourist dollars over to Tokyo instead as soon as Splash Mountain closes in Florida.
Nice piece, Chris. Your comments on the movie are spot on, noting it’s a “flawed film and a product from an unenlightened time,” with stereotyped characters and dialogue that are unsettling at least.
And it should be watched and discussed and learned from. I agree with that, too, but for me, that should be done in educational interactions, with in-depth discussions about race and culture depictions in media and sharing of perspectives among varied peoples and cultures.
I saw “Song of the South” in its 1972 re-release, in Montgomery, Alabama. I loved it. But I was 7....
Today, I remember none of the story or the stereotyped characters and dialogue because I was only focused on Br’er Rabbit, Br’er Bear, Br’er Fox, and Zip-a-Dee-Doo-Dah. I just wanted to watch the handful of animated segments and hear the songs - basically what’s in Splash Mountain now.
To others, though, the movie is fundamentally a depiction of stereotyped characters and dialogues. It’s offensive to so many, and those offenses are so defined and set out that Disney itself already won’t let it be shown or sold again. And understandably so.
I would love to have Splash Mountain, always. It’s a fantastic ride, and I’m happy when we’re walking in WDW and it comes into view. But the idea of people being offended, by something that should bring joy, means a change is needed. And they’ve picked the right movie for the next version - maybe Splash Mountain could be replaced by a “Sugar Mill Slide.”
So, like you: “I'm looking forward to seeing what the Imagineers bring us. I'm expecting a wonderful soundtrack, some beautiful scenery and I'm fully expecting to be dazzled by a room full of fireflies! With any luck, I'll get one last ride on Splash Mountain someday, but if not, it gave me plenty of smiles and thrills over the years. Change is good. Evolution is good.”
Thank you for sharing your heart on this! I have the movie, Song of the South & always knew the written stories whilst growing up in the ghetto in S. F. California in the 50's & 60's..
These stories are kindred to Rudyard Kipling, Aesop's Fairytales style stories & I have always treasured them as such!
I too will miss the sweet simplicity of this ride. I agree with you in that a transition can be seen into the Princess & the Frog storyline, whilst including some hidden 'character' tributes to Splash Mountain.. just as there is a tribute to Country Bear USA after the end of the Winnie the Pooh ride in Disneyland!
I have been visiting Disneyland since 1962!
Let us go forth & become participants in the NEW imagineering that awaits our enjoyment!
Sign this petition if you are tired of bowing to cancel culture. It is really gaining steam! https://www.change.org/p/everyone-to...and-disneyland
Nice article, as always. Unfortunate subject this time, but nice article of positive memories. I'll have to see if I have a picture of your opossums somewhere. For me the goal was always shooting for a nice pic of the harmonica playing raccoon, but I have a bunch of other pics also, I'm sure. I know I've tried for the three main characters and many of the others, but not sure I ever got the opossums. Very hard to balance shutter speed an other settings to get good lighting in there without getting serious blur due to log motion (at least for me with my somewhat simple digi cam - more serious photographers may be able to regularly beat this challenge!
).
Regarding the walk around characters, I have difficulty believing they survive, at least in CA and FL. If the whole reason for changing the ride is that the story it's based on is deemed problematic and/or flat out racist, and Disney is trying to expunge it's existence from the parks by eliminating the characters and theme from the ride, I just can't see how the characters live on. It's one more "what are these characters from" question Disney probably doesn't want to have to deal with.
Unless you are in Tokyo.... (or maybe - seems there was a statement on evaluating it from Oriental Land Company a few days after the US announcement.). It's entirely unclear to me why it's possibly OK for the ride to remain in it's current form over there. The park still says Disney on it. I would think for something that is apparently this offensive, it would have been coordinated to be removed over there as well, before any announcement was made at all. Aside from being aware of the Tokyo parks' existence and some of the unique rides over there, I am not familiar with the dynamics of the business relationship. It seems unfathomable that Disney would not have 100% control based on how they handle US parks, but I guess the relationship really is such that they don't have 100% control? So anyway, if the ride can stay as it is there, I would think the characters could survive there too. Heck of a lot more involved to get over to Tokyo than it is to cruise down the East coast for a trip to WDW though!
I'm sorry but I'm not sorry to see the current theme of Splash Mountain go away. I've enjoyed the ride many times with my family and I'll admit I really didn't think about the origins much. Of course I only saw the movie once as a kid many years ago. Having said that The Song of the South WAS a racist movie. It wan't a blatantly racist movie but it was still racist because it was basically propaganda. It was a whitewash of our history designed to make white people feel better about how black people were treated not just in the 1870's but in the 1940's when the movie was made. Black people can't have had it so bad, look at this beautiful relationship between this black man and white boy. Never mind the fact that no black man would ever assume he was more than a servant to this boy (not that he could not also be a friend) and any attempt to rise above his station is just as likely to get him strung up as not free man notwithstanding. I saw The Song of the South probably 40 some years ago and as a kid I thought it was great. At least I still remember bits of it so it must of made an impression but I have no desire to see it again or own it. It isn't part of our history. It's a lie to let people think was something other than it was. From this prospective The Princess and the Frog isn't perfect either but it does at least make a small effort to address reality and while I doubt that any of that will make it into the ride at least the source material will be a great deal better than The Song of the South. If you want a story about a black man and a white boy read Huckleberry Finn. At least it's a lot more honest about the time.